Eugène Atget

The Making of a Reputation

The International Center of Photography presents Eugène Atget: The Making of a Reputation, curated by ICP’s creative director David Campany. This exhibition takes a new approach to the story of Atget’s career, drawing particular attention to the role that Berenice Abbott played in shaping Atget’s posthumous rise in influence. 

 

About Eugène Atget 

Eugène Atget (1857-1927) was a French photographer best known for his photographs of Paris and its environs. He supplied studies for painters, architects, and stage designers, while also making formally complex pictures. Atget’s subjects included everything from grand buildings to typical street scenes, storefronts and workers. His photographs, often taken in the early hours, are notable for their diffuse light and wide views that give a sense of enigma and mystery. They also document Paris and its rapid changes; many of the areas Atget photographed were soon to be razed as part of widespread modernization projects.

Atget drew the admiration of a variety of artists, most notably Man Ray who even used one of Atget’s photographs on the cover of the magazine La Révolution surréaliste. The photographer Berenice Abbott preserved many of Atget’s prints and negatives. She exhibited his work, wrote about it, and for decades championed Atget as a forerunner of modern photography.  

Image
Eugéne Atget, Hôtel du Marquis de Lagrange 4 et 6 Rue de Braque, 1901 (Printed 1901-27), Albumen silver print (from a gold salted glass plate negative). International Center of Photography, [Gift of Caryl and Israel Englander, 2008 (2008.111.20)]

Eugène Atget, Hôtel du Marquis de Lagrange, 4 et 6 Rue de Braque, 1901 (printed 1901–27). International Center of Photography, Gift of Caryl and Israel Englander, 2008 (2008.111.20)

International Center of Photography
Jan 29, 2026 - May 04, 2026

Special Thanks

Exhibition support is generously provided by ICP Collections Committee members – Jane Corkin, Constance Jaeggi, George Krupp, Monika Parekh, Douglas Pugh, Elizabeth Walton, Simon Zafrany, and Alice Sachs Zimet.

Exhibitions at ICP are supported, in part, by Caryl Englander, Almudena Legorreta, ICP Board of Trustees, the Blanchette Hooker Rockefeller Fund, and with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.